By Christopher John Arthur
This paintings either argues for, and demonstrates, a brand new flip to dialectic. Marx's "Capital" used to be essentially motivated through Hegel's dialectical figures - right here, case by way of case, the importance of those is clarified.
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Extra info for The New Dialectic and Marx's Capital
Into . . capital is, in itself, the result of the exchange between capital and labour, insofar as it gives the capitalist title of ownership to the product of labour (and command over the same). This transformation is posited only in the production process itself. Thus the question whether capital is productive or not is absurd. Labour itself is productive only if absorbed into capital, where capital forms the basis of production, and where the capitalist is therefore in command of production.
In the passage above it might seem that labour considered as ‘capable of all specificities’ is not ‘abstract labour’ but ‘concretely general labour’. Taken ‘in itself’ this is so; but here we have to take it in the form capital takes it. ’5 Capital as an abstract totality considers labour as its opposite, simply as the instrument of its valorisation. While it is forced to allocate labours to different tasks the point is that exploiting them yields a homogeneous product, the accumulation of capital itself.
So the qualitative identity of labours posited in the equation of products is complemented by a process that posits them as abstract in production itself. In the passage above it might seem that labour considered as ‘capable of all specificities’ is not ‘abstract labour’ but ‘concretely general labour’. Taken ‘in itself’ this is so; but here we have to take it in the form capital takes it. ’5 Capital as an abstract totality considers labour as its opposite, simply as the instrument of its valorisation.